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Los Angeles Times. LULI McMULLEN is one of those kids who are always alone even when they’re not. The year-old, who might be described as a. Hers is the journey of a lost teenager, but it’s far from The Sisterhood of the Traveling Pants. Jun 29, Hick (Unbridled Books) by Andrea Portes is a semi-autobiographical debut novel about a girl from a trashy, nothing town with a need to make.

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Hicm Unbridled Books by Andrea Portes is a semi-autobiographical debut novel about a girl from a trashy, nothing town with a need to make something happen. Leaving behind breakfasts of stale crackers and dinners of bar snacks while waiting for her alcoholic parents to bring her back home, we find 13 year-old Luli on the road, headed toward Vegas with a.

The film premiered at the Toronto International Film Festival. I wanted to use that word to kind of explode it. Okay, this is a girl that would easily be categorized as a hick… but look at how much more complicated than that she is. One of our greatest possibilities as writers is pointing out false stereotypes. Luli is a survivor.

What would you imagine she grows up to be? I was disappointed not more people got the essential anti-materialist theme of the film, actually. You know, the Caterpillar trucks are devouring the land, the farm is being bull-dozed over to build a Walmart, and Luli is demeaning herself by seeking out a Las Vegas sugar-daddy… all of these things are ways that andreea that are naturally beautiful are defiled by money.

What was the biggest challenge for you in adapting your novel into a screenplay? What to take and what to leave behind. I was extremely worried it would come off as some kind of sentimental blather. That chapter in the novel came to me protes in a dream. I remember I woke up and wrote it at around 4 in the morning. My grandparents lost their baby girl. How has the reaction been to each format, as the story differs subtly in tone from book to film?

Well, happily, the reaction to the novel was absolutely amazing. I was lucky that way and continue to be extremely grateful. Many readers are female and I think this subject matter really speaks to women. The film critic reception seems to have been kind of vitriolic. For some reason that continues to baffle me. But, you know, the younger audience really seems to get the film, which makes me extremely grateful.

I think they just kind of want to close their eyes and pretend all year-old girls lives are just peachy keen. Happily, the audience reaction has been amazing, though. Kind of like life. How about the incredible casting you gathered: Once Chloe was on board everything really fell into place. We were lucky that the script, with Chloe, attracted that kind of talent.

Again, I was and continue to be extremely grateful for such a talented cast. It was so much fun, really.

It was incredible to see Derick work, he really is amazing with the actors. Of course, watching Eddie Redmayne take after take was kind of a master class in acting. Which one of those brilliant takes are you going to choose, Derick?

It was so cool, and vindicating, because you know… as the novelist many of those lines had been cut by earlier producers on the project. She did an incredible job in the film.

The Rumpus Interview With Andrea Portes – The

I love her Glenda. Not an andrrea part, by any means. Last but obviously not least: I was blown away at how Chloe carried the film. I, also, am heartened by the fact that she has her mother, Teri, and her brother, Trevor, there to guide her, protect her and keep her life as normal as it can be, considering.

Hick by Andrea Portes

It was about a week shoot. We were really in a time crunch. Luckily, Derick had everything really dialed in, so when we went to shoot it was all about the acting. I think the performances in the film really reflect that.

Watching Eddie, the way he could smile, you just wanted Luli never to get back in that car.

Hick — Andrea Portes

But that smile gets you back in the truck. Or was that one she chose for a reason? Andreea Glenda her real name? And by good I mean she gives Luli meth and makes her rob a convenience store.

Also, I have two super double secret projects I am not really allowed to talk pirtes yet. Jennifer Sky is a former model and actress.

Her first e-book is forthcoming from The Atavist.

You can find her online at jennifersky. I sat porets with Portes to discuss her book and film. Hicktrue or false? What was a day like on set?

How long was the shoot? Kimberly Dark Swinging Modern Sounds


In this volume respected New Testament scholar Douglas J. Moo provides a Moo’s Epistle to the Romans will continue to serve as a standard exposition of. Epistle to the Romans by Douglas J. Moo, , available at Book Depository with free delivery worldwide. Douglas Moo’s commentary on Romans is judged by many to be the best all around evangelical commentary on this epistle. It is thorough, but it is not overly.

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To review this book, please Login or Register. The Epistle to the Romans Douglas J.

Reviews To review this book, please Login or Register. Warren May 19, 5 5. This is an exceptional commentary that is shorter remember that this word is relative and less expensive and so is this than Cranfield. Although the commentary is on the English text, Moo makes plenty of technical comments on the Greek text in the footnotes throughout.

Moo is tge evangelical and this is reflected in his exegetical decisions, but he interacts with many scholars who don’t share his conservative views.

The Epistle to the Romans

He is of the “old perspective” camp, though he interacts and often sees benefits of the “new perspective” updated link Warren Truesdale May 19, 5 5. He is of the “old perspective” camp, though he interacts and often sees benefits of the “new perspective” Princeton Seminary December 2, 5 5.

Bowman, Jr December 11, 5 5. Excellent scholarly commentary by an evangelical scholar, sensitive to theological issues. Graham Ware April 8, 4 5. For a traditional reformed reading of Paul and specifically Paul’s Epistle to the Romans, Moo is often cited as the standard bearer. On many fronts I do really like this commentary. On a few fronts though, I really don’t perhaps bc I am not part of the reformed evangelical camp. His comments on the female leaders section in ch.

But overall it is a commentary worth having and consulting regularly. Slinger February 20, 5 5. Tim Challies April 29, 5 5. There is no shortage of commentaries on the book of Romans! Not only that, but there is no shortage of excellent commentaries to choose from. DanW February 21, 5 5. When I took the Romans class at seminary I regularly consulted Moo along with other top commentaries on Romans.

Epistle to the Romans

As good as the others were, Moo was consistently the most complete and helpful. Long June thee, 5 5. Remarkably, the introduction is a mere 35 pages! Like many of the newer contributions to the NICNT series, this commentary on Romans engages the Greek text, making exegetical observations primarily in the footnotes.

I find that too many of these notes are simply the Greek word. If they had been allowed in the main text, the notes would be far fewer. Moo has a handful of favorite dialogue partners, often playing one off of another; occasionally a footnote is simply the name of the scholar who suggests a certain reading.

Moo includes systematic roomans as a part of the discussion on a few occasions, especially in places where theology is effected by an exegetical point in the text imputation of sin in Rom dpuglas Beeke May 4, 4.

Moo comments on the entire Epistle, interacting with the very latest scholarly discussions and repeatedly demonstrating the importance of historical context for exegesis.

Epistle to the Romans : Douglas J. Moo :

Absolutely fabulous commentary; this one is romasn gold standard when it comes to being faith to the text, defending sound orthodoxy and being pastoral all at the same time. Still not quite sure if I agree with his interpretation of Romans 7 still wrestling with itbut the commentary is worth having regardless if you jm.oo or not. This is a commentary I will go back to for years.

J L Smith May 14, 5 5. Not much else to really mention as everyone has pretty much nailed it. I have not totally read through this commentary but when I have looked it up, Moo ths been insightful and balanced. I particularly liked his discourse on Romans 7: After thinking over his position he does a great job examining the major positions he seems to have shifted my view j.mok I thought it referred to Paul in his present state when writing the letter through thorough exegesis and a very convincing argument.

In all, this commentary is a must for anyone who wants to take Romans seriously. I would add that Morris’ or Cranfield’s comentary is a worthy companion.

Jason Kuo October 28, 5 5. Moo’s work on Romans is absolutely fantastic. It has the right amount of detail to really work through some of the difficult issues in the text, and he carefully weighs the different options that have been proposed before demonstrating his own position. It’s an invaluable resource for anyone studying Romans. Scot Rmans May 6, 4.

The Epistle to the Romans by Douglas J. Moo

November 3, 5 5. One of the most complete commentaries on Romans.

It is detailed where it needs to be, but not overly so. Great buy, especially if you can only have one commentary on Romans. Derek Thomas September 20, 5 5. A colossal commentary over a thousand pages! Moo’s interpretation of Romans 7 is definitely not recommended; nevertheless, his commentary has already become a standard and has more to offer than Cranfield. See his contribution on Romans in j.mo New Bible Commentary, 21st edition for shorter treatment.

John Glynn September 20, 5 5. Jim Rosscup September 20, 4. Ligonier Ministries Keith Mathison August 22, 5 5. Douglas Moo’s commentary on Romans is judged by doutlas to be the best all around evangelical commentary on this epistle. It is thorough, but it is not overly technical. Moo presents his exegetical arguments carefully and cogently. This reader is especially impressed by his treatment of Romans In terms of intermediate-advanced level commentaries, this one is the best place vouglas begin.

Brian LeStourgeon July 31, 5 5. Schreiner is more engaging, but Moo is a tad more complete overall. Get them both when you can. Carson May 26, 5 5. Denver Seminary Journal May 24, 5 5. Genesis Exodus Leviticus Numbers J.mlo. Isaiah Jeremiah Lamentations Ezekiel Daniel.

Matthew Mark Luke John Acts.


No recent wiki edits to this page. No Caption Provided. Expand full wiki summary. issues in this volume Add Issue Reverse sort · Issue # Anokha Chor. dosto halanki bankelal koi action hero nahi lekin phir bhi raj comics me sabse jyada comics publish karaane ka keertimaan uske naam hai. Raj Comics. Store Contact Account News · 0. Please wait. You are here: Home. Hindi Comics · Set 04 of · Set 3 of · Set 2 of · Set 1 of

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Bankelal is a fictional comic book characterthat appears in comic books published by Raj Comics. He is presented as the “Hasya Samrat” King of comedy. Bankelal first appeared in the comic book ‘Bankelal Ka Kamaal’.

Read Bankelal comics online | Bankelal comics as on

His mother’s name was ‘Gulabati’. The couple didn’t have any children.

Gulabati was a devotee of Lord ‘Shiva’ and patest child was offered to them as a blessing from the Lord. They named the child Bankelal.

Read Bankelal comics online

Most of the stories of the series are of latfst one issue. Most issues start with Bankelal knowing a secret or something which he may use to kill king Vikram Singh and usurp bankellal throne. Story develops further with the involvement of sages, yogis, Devi-Devtas and Rakshas, each of whom comes with incredible humorous twist to the story.

In the end all the trickries of Bankelal fail and Vikram Singh gets a lot of favour rather than harm. Though there are some issues that are linked to each other like series in which Bankelal and Vikram Singh travel to different lokas worlds.

Bankelal aur Aafat Ki Pudiyan (Bankelal) – Comics Download Free by ES6c5w3 Fleming on Prezi

One day Lord Shiva visited Bankelal’s home with his consort Parvati. His mother offered them a glass of bankslal unaware that her naughty child had put a frog in the milk! When Lord Shiva discovered this he put a curse on Bankelal that if ever Bankelal tried to harm anybody, the person would be blessed with good results and some part of that would also be ‘rubbed’ on to Bankelal.

Bankelal seems extremely stupid but he possesses a mind of devil,always planning mischief. But due to the”blessed” curse placed on him,every bad that he wants to do turns out to be good, turning the odds in his favour. The good thing is that his every misdeed mischief acts as a funny tickle bone for the readers. Wife of maharaj Vikram Singh. Bankelal has a horse named Chetak which is another very funny character in comics series.

Some notable guest appearances in Bankelal series includes Tilismdev and Bhokal. Bankelal considers Raja Vikram Singh as his arch enemy. Bankelal always tries to kill him never managed so far and become the cimics of Vishalgarh.

Mohak Singh, the prince of Vishalgarh is quite aware of his evil plans.

Other courtiers are also jealous of Bankelal’s popularity. These include Senapati Markhap, Prabandh Mantri and many others. Some nearby princely states of Vishalgarh also find it hard to kill Vikram Singh until Bankelal is with him. From Wikipedia, the free encyclopedia. Retrieved from ” https: Indian comics Indian comics characters Raj Comics characters.


Bankelal All Comics List Published Till Date

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Ludovico Roncalli – Works for Guitar, NPM-M, is a Baroque Guitar CD release distributed from Portland Oregon through North Pacific Music. Find Ludovico Roncalli composition information on AllMusic. Count Ludovico Roncalli (), or simply Count Ludovico, was an Italian nobleman who published a collection of suites for five-course baroque guitar.

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Ludovico Roncalli

Instrumentations Guitar solo standard notation 5 Guitar solo notes and tabs 1. Genres Baroque 4 Classical 2.

Arrangers kheidtmann Germany, Hamburg. Buy sheet music books Roncalli, Lodovico.

Lodovico Roncalli roncaloi Count Ludovico Roncallior simply Count Ludovico, was an Italian nobleman who published a collection of suites for five-course baroque guitar, Capricci armonici sopra la chitarra spagnola “Harmonic caprices for the Spanish guitar”in This was transcribed to modern notation and arranged for the six-string guitar by Oscar Chilesotti in The work, consisting of nine complete suites, each comprising several short movements, is a great favorite of guitar enthusiasts, and individual movements frequently appear in guitar roncapli books.

Frederic Noad, who wrote “The Baroque G uitar’ and other popular instruction books, did not rate the Chilesotti transcription highly, pointing to many omitted embellishments and octave errors relating to the fourth and fifth strings.

Noad did not comment on whether this rondalli had corrected the deficiencies of the Chilesotti version.

The original is available in a facsimile edition edited by Paolo Paolini Florence Unlike luovico of the music of the later Baroque era, Roncalli’s dance movements retain the flavor of actual dance music; for example his Gigues inspire the mental image of people dancing a spirited jig. However, the dancelike quality varies depending on the movement and the performer.

Wikipedia Hide extended text Skills Define one or more skills — Followers none member follow this artist None follower for the moment. No licenses Propose some and earn money.

Ludovico Roncalli – Wikipedia

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Lodovico Roncalli – Italia Count Ludovico Roncallior simply Count Ludovico, was an Italian nobleman who published a collection of suites for five-course baroque guitar, Capricci armonici sopra la chitarra spagnola “Harmonic caprices for the Spanish guitar”in Read all More information More information Skills.

Ludvoico one or more skills By the most likes By the most well noted By the most commented By new releases By the most downloaded By the most listened By the most listened human Original instrumentation first By works titles By composers By oldest additions With video first Level: Museus, M Connect to add to a playlist Added the Thorlaksson, Eythor 1 Connect to add to a playlist Added the Sarabande Capricci armonici sopra la chitarra spagnola, Suite 1, Mwmt. Heidtmann, Klaus Connect to add to a playlist Added the


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La Finta Giardiniera is an opera by Wolfgang Amadeus Mozart, it was first performed in La Finta Giardiniera, ‘the disguised gardener’, is the Countess Onesti. Misc. Notes, Original images: cadpi, grayscale djvu files approx. by pixels. Editing: re-sampled to dpi, converted to black and white tif files. La finta giardiniera: Wolfgang Amadeus Mozart: Early maturity: to write an opera buffa, La finta giardiniera (“The Feigned Gardener Girl”), for the Munich.

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She has been stabbed in a fit of jealous rage by her lover, the Count Belfiore, before the opera begins and left for dead. Fortunately she recovers and, calling herself Sandrina, goes into hiding at the house of the local Mayor. The Mayor immediately falls in love with her, which annoys his servant Serpetta, who is in love with him herself. He is rich, handsome, and called — Belfiore.

Not surprisingly she and Belfiore go mad half way through the show. La finta giardiniera is sung in Italian. You can follow the English translation on a screen above the stage, but knowing a couple of Italian words will come in handy. The Podesta is called by his title throughout the show, Belfiore is sometimes called Il Conte. The opera starts with the overture. The curtain goes up on a large 18th century room, all windows, mirrors and doors.

In the centre of the stage stands a young man with a knife in his hands. Eventually he manages to climb out of the room.

Time passes and the young woman gets mkzart, pulls herself together, and joins the rest of the cast as they enter for the opening number. The opera has begun. However only the Podesta, attracted by the beautiful Sandrina, is really happy; everybody else has something on their mind and they tell us about it in a series of solo lines. Ramiro, a teenager who looks like an 18th century Goth, is particularly gloomy. His heart is broken and, when the Podesta suggests he mmozart another girl, he breaks into a furious aria.

La finta giardiniera

The last thing he wants is to fall in love again. Sandrina is just as upset and, left alone with Nardo, wonders whether she ought to give up and mizart home. Suddenly, the sheer difficulty of being a woman overwhelms her. Perhaps women should never be born in the first place? Fortunately he is only five minutes late and he enters, prepared to be knocked out by her beauty. Meanwhile Serpetta has taken a dislike to Arminda and, rather than be ordered about by her, thinks that marriage might not be such a bad idea.

Sandrina enters, singing a melancholy aria — she says she feels like a turtle dove deprived of its mate. Arminda dashes off for smelling salts, ordering Belfiore to help the girl as she goes. This discovery brings everyone on stage for the big number that will close Act 1 — giaardiniera Finale. Sandrina comes to, Ramiro wanders on, and Arminda returns with first aid.

Serpetta, Nardo and the Mayor appear from nowhere and the act ends with everyone bewildered, angry, and singing at the top of their voices. The next morning everybody is in a vile temper. Arminda realises that Belfiore is desperate to see Sandrina and blasts him with a furious aria as she threatens to punish him. Arminda decides to marry Belfiore after all — when Ramiro unexpectedly produces a warrant for the Count for the murder of Violante, the Countess Onesti.

Ramiro has just been sent this by a relative in Milan. Meanwhile Belfiore is not getting anywhere with Sandrina, who punishes him by pretending to be Violante one moment and Sandrina the next. They are interrupted by the Mayor who feels obliged to try Belfiore for murder.

Sandrina reveals that she is Violante and after a moment of astonishment everybody withdraws to give Sandrina and the Count a chance to sort things out. But Sandrina is in no mood for forgiveness. She says she only pretended to be Violante to get him off, and exits — leaving Belfiore on the brink of insanity.

Sandrina enters, terrified by the dark and imagining all sorts of horrors. The most embarrassing mix-ups happen in the gloom, until Ramiro has the sense to fetch a lantern. As they disentangle themselves, the cast look round for somebody to blame, and turn on Sandrina and the Conte. Their combined fury drives the lovers mad.

The Podesta dumps Serpetta, who is so furious that she dumps Nardo. Meanwhile the lovers have fallen into a deep sleep.

They awake refreshed and sane and decide to forgive each other. Cautiously they re-establish their relationship and the scene ends in a duet in which they leave the set, the stage, and all disguise, to start again in the real world. The rest of the cast forget their own unhappiness as they congratulate Sandrina and Belfiore, and the opera ends more or less happily. Mozart had been a professional musician since he was six.

He and his sister were star performers on the keyboard and spent their childhood touring Europe with their parents. He was employed by the Archbishop of Salzburg to write church music, rehearse the choir and teach choirboys the keyboard. He wanted to be independent, make money, and write works that suited him.

For Mozart that meant Italian opera. The Italians had invented opera back in and it had swept Europe. Every city had an opera house, just as it had a cathedral, a town hall and a palace.

Italian is a particularly good language to sing in and Italian singers were super stars. More than that, Italian opera was one of the few ways you could make money — real hard cash.

That was quite rare in the 18th century, most people were paid with food, lodging, jewelled snuff boxes and IOU notes. So Mozart was bound to be drawn to the theatre but, more than the cash and the glamour, he wanted to compose opera because he loved it.

La finta giardiniera was performed in Munich in January Mozart turned up before Christmas anxious to meet the singers — the the music he wrote for them would have to fit their voices like a giardinidra. He and his father travelled through a frozen countryside, in a half open coach with bundles of hay packed round their feet. Even so, young Giardinieera or Wolfie as he was know in the family stayed inside for a few days with a swollen face and toothache.

By the time Nannerl his sister arrived, Wolfgang was deep in rehearsals and letters began giardiniefa fly back and forth from Munich to Mrs Mozart left behind in Salzburg. No wonder Mozart was pleased. Even so, the show only ran for three nights.

Serious opera was basically a string of solo songs, but comic opera which is, more or less, what La finta giardiniera is often had several characters singing at the same time. However, all opera, whether comic giardiinera serious, works in the same way. The plot zips along in recitative link to recit vid and, every now and mozrat, a character interrupts the action to tell the audience exactly how he, or she, feels about life and sings an aria.

Recitative is the operatic equivalent of ordinary conversation. The characters barely gisrdiniera, their music follows the patterns of normal speech, and only a couple of instruments accompany them — usually just a harpsichord and a cello. Singers usually shorten ‘recitative’ to ‘recit’. Time stops still for a moment as a character explores their feelings.

An aria is always a solo.

La finta giardiniera | opera by Mozart |

Towards the end of the opera, the lovers usually sing a duet together and, at the end of each act, the story requires all the characters to turn up on stage and sing together. Any section written for more than one person is called an ensemble. An ensemble is a musical number written for several voices. It might be a duet 2 voices or a trio 3 or a quartet 4a quintet 5sextet 6 even a septet 7.

Sometimes a chorus appears on stage, which can be any number of people and their ensemble is called after them — a chorus. Mozart wrote ensembles to bring the drama to life. In them the characters interact with the rest of the cast, they annoy each other, scheme, plot, or fall in love.

The singers are accompanied by an orchestra: Orchestral colour is the distinctive sound made by individual instruments. In this performance of La finta giardiniera the instruments have an 18th century sound: Mozart himself would have played the harpsichord in the pit during the first performances of La finta and directed the orchestra — possibly with his hand, more likely with a nod of his head — as he led the recitative.

Modern operas are led by a conductor. Opera is about singing.

Mozart: La Finta Giardiniera – review

The Italians are very fierce about this, they hate it if an orchestra is so loud it drowns the voices. Italian audiences were famous for chattering all through opera performances — probably because they went every night and knew the show by heart — but they listened closely when a virtuoso began to sing. People cheer like this in opera houses to this day. The voices they heard were split into various types.

The Set Up

From soprano the highest female voice to bass the lowest male. As you listen to an opera you get used to the dominant sound. So they preferred nozart high voice — soprano, alto, mezzo soprano, all the female sounds.

Most of the lovers male and female in an 18th century opera have unbroken voices — though the tenor the highest natural male voice was just beginning to be used for finfa male characters.

Sandrina is the heroine of La finta giardiniera. That makes her a soprano. As a rule of thumb, the higher the voice in opera the younger you giardinierra. Mozart did so, but Sandrina is a complex character. Left for dead by Belfiore at the beginning of the show, she’s running away from him and trying to find him at the same time.

She hardly knows whether she’s alive or dead.


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are concise point-of-care prescribing, dosing and administering information to Prior to the initial foscarnet infusion, establish diuresis by administering Prehydrate with mL NS or D5W before first infusion to decrease risk for nephrotoxicity. See prescribing information for dose adjustments for CrCl < Group: antiviral. Solution for injection, 24 mg/ml ml, ml [non-EDL]. General information. Foscarnet is a non-nucleoside pyrophosphate analogue given.

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Foscarnet is an antiviral agent with a broad spectrum inhibiting all known human viruses of the herpes group: Sumatriptan Foscarnet may decrease the excretion rate of Sumatriptan which could result in a higher serum level.

Buserelin The risk or severity of QTc prolongation can be increased when Foscarnet is combined with Buserelin. QT prolongation has been reported with panobinostat therapy in patients with multiple myeloma in a clinical trial.

Clemastine The risk or severity of QTc prolongation can be increased when Foscarnet is combined with Clemastine. In vitro, foscarnet inhibits replication of the herpes simplex virus HSVvaricella-zoster, Epstein-Barr virus, human herpesvirus 6, and cytomegalovirus.

Major When possible, avoid concurrent use of foscarnet with other drugs known to prolong the QT interval, such as azithromycin.

N-acetyltyrosine Foscarnet may decrease the excretion rate of N-acetyltyrosine which could result in a higher serum level. It is recommended to establish diuresis by hydration with 0. Naloxone Foscarnet may decrease the excretion rate of Naloxone which could result in a higher serum level.

Perphenazine is also associated with a possible risk for QT prolongation. Decreased appetite, hypokalaemia, hypomagnesaemia, hypocalcaemia.

Iothalamic acid Foscarnet may decrease the excretion rate of Iothalamic acid which could result in a higher serum level.

Foscarnet – DrugBank

Human studies regarding use of foscarnet during pregnancy have not been conducted; however in animal studies, exposure to foscarnet was associated with a slight increase in skeletal anomalies.

In case of overdose, call the poison control helpline at Propiverine Foscarnet may decrease the excretion rate of Propiverine which could result in a higher serum level. For secondary cytomegalovirus CMV retinitis prophylaxis chronic maintenance therapy in HIV-infected adult and adolescent patients after treatment of the acute CMV retinitis infection.

Histrelin The risk or severity of QTc prolongation can be increased when Foscarnet is combined with Histrelin. The optimal duration of therapy has not been established. The human cellular polymerase is about times less sensitive to foscarnet.

Treatment with macimorelin has been associated with an increase in the corrected QT QTc interval. Flunoxaprofen The risk or severity of nephrotoxicity can be increased when Flunoxaprofen is combined with Foscarnet. Please refer to section 5.

SC The risk or severity of nephrotoxicity can be increased when SC is combined with Foscarnet. Streptomycin The risk or severity of nephrotoxicity can be increased when Streptomycin is combined with Presceibing.

PDR Search

Major When possible, avoid concurrent use of foscarnet with other drugs known to prolong the QT interval, such as saquinavir. Ceftazidime The risk or severity of nephrotoxicity can be increased when Ceftazidime is combined with Foscarnet.

Idarucizumab Foscarnet may decrease the excretion rate of Idarucizumab which could result in a higher serum level. Apramycin The risk or severity of nephrotoxicity can be increased when Apramycin is combined with Foscarnet. Dacarbazine Foscarnet may decrease the excretion rate of Dacarbazine which could result in a higher serum level. Probenecid Foscarnet may decrease the excretion rate of Probenecid which could result in a higher serum level.

Major Consider the risks and benefits of treatment with talimogene laherparepvec before administering acyclovir or other antivirals to prevent or manage herpetic infection. Treatment of resistant herpes or varicella virus infection. Romidepsin has been reported to prolong the QT interval. Renal function should be monitored closely and vancomycin doses should be adjusted according to vancomycin serum concentrations.

Continue typing to refine. Estrone sulfate Foscarnet may decrease the excretion rate of Estrone sulfate which could result in a higher serum level.

Hydralazine Foscarnet may decrease the excretion rate of Hydralazine which could result in a higher serum level. Azathioprine Foscarnet may decrease the excretion rate of Azathioprine which could result in a higher serum level. Alminoprofen The risk or severity of nephrotoxicity can be increased when Alminoprofen is combined with Foscarnet. Bupranolol The risk or severity of QTc prolongation can be increased when Foscarnet is combined with Bupranolol.

Major When possible, avoid concurrent use of foscarnet with other drugs known to prolong the QT interval, such as amiodarone.

Erythromycin is also associated with QT prolongation and TdP. To email a medicine you must sign up and log in. Major When possible, avoid concurrent use of foscarnet with other drugs known to prolong the QT interval, such as clarithromycin. Pindolol Foscarnet may decrease the excretion rate of Pindolol which could result in a higher serum level. Meropenem Foscarnet may decrease the excretion rate of Meropenem which could result in a higher serum level. Morniflumate The risk or severity of nephrotoxicity can be increased when Morniflumate is combined with Foscarnet.

Naldemedine Foscarnet may decrease the excretion prescribinh of Naldemedine which could result in a higher serum level. Paliperidone The risk or severity of QTc prolongation can be increased when Foscarnet is combined with Paliperidone.

Foscarnet Injection: MedlinePlus Drug Information

Lixisenatide Foscarnet may decrease the excretion rate of Lixisenatide which could result in a higher serum level. For patients who experience progression of CMV retinitis while receiving maintenance therapy, re-induction treatment with the same drug used for maintenance followed by reinstitution of maintenance therapy is recommended.

Major When possible, avoid concurrent use of foscarnet with other drugs known to prolong the QT interval, such as primaquine. Ceftizoxime The risk or severity of nephrotoxicity can be increased when Ceftizoxime is combined with Foscarnet. Major When possible, avoid concurrent use of foscarnet with other drugs known to prolong the QT interval, such as tricyclic antidepressants. Major When possible, avoid concurrent use of foscarnet with other drugs known to prolong the QT interval, such as propafenone.