Buy EUPALINOS OR THE ARCHITECT 1st English Language Edition. by Paul Valery (ISBN:) from Amazon’s Book Store. Everyday low prices and free delivery . Eupalinos or The Architect [Paul Valery] on *FREE* shipping on qualifying offers. book. If there is one text that takes the theme of the symposium, ‘Poesis and architecture’, as its element, then it is Paul Valéry’s dialogue Eupalinos ou l’ architecte.

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Whether or not they sing is of little importance, because they are too distant to be heard. According to Eupalinos, singing buildings were harmonious in that they included the human body in their own system.

Today, skyscrapers are designed to be viewed not atbut at kilometers per hour from an airplane. The forgotten Symbolism of Architectural Form Cambridge: Jay Merrick discusses the death of architecture in the following way:. Where can architecture be located today when it is of no interest to big building projects?

They reflected human organic balance in its perfect proportions, and thereby valedy an instrument of life. They, more than anyone, will attempt to seize and shape this moment. Life but how to live it —for years the name embellished the wall behind my bed: These days which, eupalinis yourself, Seem empty and effaced Have avid roots that delve To work deep in the waste. With Denise Scott Brown, Venturi sets up a program against the congealed heroic era of reductionist white modernity.


Eupalinos and the Duck: Conceptualism in Recent Architecture – Journal #28 October – e-flux

While the nineteenth century was preoccupied with time, evolution, cycles, and halt, the twentieth century was concerned with space—so much Simply the pleasure and pain of engaging in social relations: Mahall has published a number of texts on architecture, design, and fashion.

Seen from the ground, an hour would be much too long to study them. They are valuable only in relation to difference, and are therefore volatile. These are varieties of conceptual architecture that—with reference to conceptual art and architecture of the s—question the traditional notion of architecture as building-construction, as master plan, or as conventional cubature.

He describes people moving so fast they deny themselves thought and delight. On the one hand, it seems to embrace mobility as it literally distances itself from the classical immovable, while on the other hand, in its conceptual approach it turns mobility into a novel form of locality—not so much as geographic locality, but as authorial locality.

Eupalinos or The Architect

But we could also recognize that different, albeit smaller, forms of architecture have emerged to confront mobilized global culture. Because Filko speaks world.

While the duck—as the model of classical modernism—cannot keep up with the speed of modern mobility, the decorated shed utilizes a changeable and flexible environmental decoration pau corresponds to contemporary culture and economy.

Shun Hing Square tower by K.

Eupalinos and the Duck: Conceptualism in Recent Architecture

Eupalinos is the name of this Platonic dialogue, after the ancient Greek architect who, according to Eupalnios, had the great ability to put things in order. Matter, space, and time are not what they used to be, and their reincarnations affect all sorts of techniques and technical processes. Yet, it is a mind genuinely concerned with the transformations and great conflicts of the twentieth century.


Exceptions are rare and expensive. As he told Phaedrus in conversation, Eupalinos believed that, in realizing architecture, he built himself. An attempt to contact the spirit of the deceased architect Le Corbusier to discuss a range of questions submitted by contemporary architects, critics and designers.

Click to start a discussion of the article above. Carsten Nicolai, Autor Mobility in architecture means to mobilize—money, above all—on behalf of the immobile: The exhausted political machines and their PR slicks are already seeking leaders to elevate, messages to claim, talking points to move on. As products of the global economy of exchange, they are no more and no less enormous and rapid than the whole of the crisis called modernity.

The facade covers the shed behind it using signs from both high and low culture. The MIT Press, It is durable in confronting the continuous change and chaotic confusion of life, above all modern life.

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