Khachaturian, Aram – Trio for Clarinet, Violin, and Piano – Edition Sikorski Milhaud, Darius – Suite, Op b – Violin, Clarinet, and Piano – Editions Salabert. The star player on this fine showcase is clarinettist Ludmila Peterkova, a one-time graduate of the Prague Conservatory who has already recorded Bruch and.

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Gramophone’s expert reviews easier than ever before. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. What first distinguishes Khachaturian ‘s Clarinet Trio from nearly all others written earlier, such as Mozart ‘s, Beethoven ‘s, or Brahms ‘, is his use of the violin rather than the mellower-sounding viola or cello. It takes extremely skilled ensemble players to make it sound right.

Aram Khachaturian Trio for Clarinet or Viola, Violin & Piano

The opening movement, Andante con doloreis essentially a lyrical improvisation based on a slow, mournful melody derived from an Armenian folk song, and decorated with arabesque embellishments. A young, provincial seventeen-year old Khachturian moved to Moscow to pursue a higher education, first in biology, then cello performance, and finally composition. He was born and raised in Tbilisi, Georgia then part of the Russian empire where clariney was initially inspired by numerous folk music traditions from Armenia, Azerbaijan, Uzbekistan and Georgia.

Jazz Latin New Age. Aram Khachaturian Trio in G Minor for Clarinet, Violin and Piano Aram Khachturian is generally celebrated as the foremost Armenian composer of the 20th century synthesizing European “classical” art music with striking elements of Eastern Eurasian folk music in a vivid nationalism that reflects multiple cultures under the sprawling aegis clarinwt Soviet Union.

The middle Allegro is very obviously modeled on folk dances, with rich color and precise rhythms. Rainy Day Relaxation Road Trip.

His talent was so great that he was admitted the Gneissin Institute, Moscow’s second most prestigious music school. The higher-sounding string instrument becomes more of a partner to the clarinet, sharing the melodic duties throughout the piece. Following years of study and practice, Khachturian would achieve clrainet international reputation drawing praise from Prokofiev and Shostakovich his nearly exact contemporarywho, like Khachturian himself, won awards as well as withering censure from the Soviet state.


Later he transferred to the Moscow Conservatory where he studied composition with Nikolai Myaskovsky.

The opening Andante con dolore, molto espressione is a duet for the clarinet and violin, almost improvisational, with the piano accompaniment adding a complex layer seemingly in rhythmic conflict with the other instruments. Introspection Late Night Partying. He did not begin to study music as a child but at 19 took up the cello.

The Trio dates from while Khachaturian was still studying with Myaskovsky, who was so impressed with the work that he arranged for it to be premiered in Paris. With Khachaturian’s trio in particular, the pairing of the closely matched clarinet and violin creates a fascinating blend, a complex but seemingly spontaneous polyphonic unity of twin voices so characteristic of numerous Eastern European and Asian folk traditions.

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Romantic Evening Sex All Themes. Aram Khachaturian was born in the Georgian city of Tiflis now Tiblisi. Although he wrote very little for intimate ensemble a handful of duo character pieces, a violin sonata and a fugue for string quartetinat the age of 29, still a student, Khachturian composed a marvelous three-movement trio for clarinet, violin and piano.

The Khachaturian Trio dates from and was once promoted by Miaskovsky, no less. The trio features three movements in a somewhat novel pattern of slow — fast – slow. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your khachaturia recordings from the past, you will find it all in our full-searchable Reviews Database. The finale, Khwchaturianis a set of nine variations based on an Uzbek folk melody, featuring several exotic intervals.

Khachahurian Chamber Music Classical. Sexy Trippy All Moods.

Khachaturian, Trio in G Minor for Clarinet, Violin and Piano

Gramophone products and those of specially selected partners from the world of music. Melody and descant, call and response, haunting unisons and evocative intervals flow through a river of shifting tempi, mood and instrumental claarinet that eventually grows soft and sorrowful until it flickers and fades into a deeply charged silence.

Please enable JavaScript in your browser to use the site fully. Prokofiev was so clrinet with this piece that he was able to see that it was performed and published in Paris soon after it was completed. In three movements, the trio displays Khachaturian ‘s trademark use of crossrhythms, folk songs, and harmonies that could be thorny at some times or bittersweet at others. Her style hints at the once-familiar rrio tone that we associate with the best of her Czech forebears, and it suits this particular recital.


Eventually, he served as a professor at both music schools. Most of his works were for orchestra or large ensembles, although he did write a string quartet and this trio. Aram Il’yich Khachaturian Composer.

Khachaturian, Trio in G Minor for Clarinet, Violin and Piano

Share on facebook twitter tumblr. In the second movement, Allegrostormy episodes alternate with tender-dance like interludes.

The work is in three movements. Modal and chromatic scales swirl from the richly expressive voice of the clarinet and the rustic fiddling of the violin in a rich duet anchored by the piano’s rhythm, harmony and imitation.

Like most troo the repertory on the CD, it reflects the influence of folk-style music, improvisationally in the opening Andante con dolore, more assertively in the vigorous Allegro that follows. That again is from a mixed recital.

Bartok, Francaix, Khachaturian, Poulenc and others: The all-time greats Read about the artists who changed the world of classical music. The finale is a spicy set of variations on an Uzbek melody and the style throughout is highly characteristic. The second movement celebrates dance and a scherzo impulse with alternating slow rtio fast sections featuring that brisk motoric drive that sounds at once like both early modernism and ancient folk music. Drinking Hanging Out In Love.

Clarinst Histoire du soldat. An outstanding conductor and teacher as well, Khachturian is remembered today primarily for his orchestral music comprising symphonies, concerti, ballet and film music, his most popular “hit” being the Sabre Dance from the Gayane suite.

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